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Subrata Gangopadhyay

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ABOUT ARTIST

Born on January 2,1959, If words could have been painted instead of, being written that could have been a better phenomenon while commenting on Subrata Gangopadhyay’s ouvres des arts. Perhaps, like all masters, Subrata is an artist-born, not made. In his 47-year career Subrata made a clear imprint both of communications industry, particularly in Press and Publication and later the orbit of contemporary painting; Subrata first came into view in 1985 with his solo Exhibition of Drawing and paintings, at the Birla Academy of Art and Culture, Calcutta and the style were instantly distinguishable from the conventional images of the period. In his works, the poetic sequences with its reliance on visuals instead of dialogue, represented Subrata at its best. Instead of reductionism, the Subrata’s desperately blatant detailed additivism left a permanent mark on the minds of art-lovers of Kolkata – and which still run rampant today. Greeted by the doyen Satyajit Ray himself, Subrata’s magnificience in dramatization of Characters, was a right recognition. Gangopadhyay’s enormous Painting depicting long lost Bengal glories and realities are still preserved in the Banquet Hall, Bengal Club, Kolkata Subrata was prestigiously offered to execute a few full bust of great Indian personalities from the Government bodies /Museums which may be found in the Victoria Memorial Kolkata Blessed with a rare capacity to depict this visible world, own surroundings, people and their living everywhere,palace to palanquin, dust to Shelter, the earth to heaven. Subrata creates and recreates new essences, love and solaces through his work for any viewer. In his paintings, Women are sometimes like lotuses in the evening lakes, often an unread beauty in the debris of mundane. A treasure on the sideways to eternity. The Nature surrenders to him whenever he takes up the brushes to paint his vision in renewed wrap and vibes and the visible world is taking rebirth in a significance of a true life surviving in the secret joy and the hidden bleeding.

SUBRATA GANGOPADHYAY MORE BY

Untitled 22 X 14 Inch 56 X 36 Cm Acrylic on Paper

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Face of a Lady 22 X 14 Inch 56 X 36 Cm Acrylic on Paper

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Dandiya Raas 18 X 24 Inch 46 X 61 Cm Acrylic on Canvas

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Untitled 48 X 52 Inch 122 X 132 Cm Oil on Canvas

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Untitled 48 X 60 Inch 122 X 152 Cm Acrylic on Canvas

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The Mirror 30 X 24 Inch 76 X 61 Cm Acrylic on Canvas

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Dandiya Raas 36 X 48 Inch 91 X 122 Cm Acrylic on Canvas

Untitled 45 X 66 Inch 114 X 168 Cm Acrylic on Canvas

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